Microcement Colours
All 48 colours in the Viero Oltre Style range, photographed from the fan deck — warm neutrals, greys, sands, terracotta, pinks, lilacs and greens, every one available in either texture.
Warm Neutrals & Taupes
The heart of the range and the most specified for floors. Reads warm without going yellow, and hides everyday marks better than a cool grey.
Greys & Charcoals
Cool through to near-black. Strong in bathrooms and on feature walls; the darkest need good natural light or they close a room down.
Sands & Ambers
Warmer and more saturated. These carry a room on their own and pair well with oak, brass and warm-toned brassware.
Terracotta & Clay
Earth reds and burnt tones. Used sparingly — a single wall, a bench, an alcove — rather than across a whole floor.
Pinks & Roses
Muted and dusty rather than sweet. STY31 and STY32 in particular read as neutrals in most light.
Lilacs & Soft Greys
Barely-there tints that shift with the light. Best judged on a physical sample — no screen renders these honestly.
Greens
Three soft sages. Quiet, and easier to live with than they look on a chart.
* Colours marked with an asterisk are shown that way on the Viero fan deck. Confirm with Viero what the asterisk denotes.
Never choose from a screen
This is not a disclaimer — it’s Viero’s own guidance, printed on the first page of the fan deck.
The chart is printed, the finish is not
Viero produce the colour card by a printing process. The applied product is a mineral surface. There will always be a slight difference between the two, and a thicker or thinner film shifts the tone again.
Daylight, or a calibrated lamp
Viero recommend checking colour under natural sunlight. A warm bulb pulls everything yellow; a cool one drains it. Your room at 4pm is the only test that counts.
Texture changes the colour
A trowelled finish holds shadow in its relief and reads darker than the same colour polished flat. Choose texture and colour together.
Cards fade, and drying matters
Fan decks shift with age and UV exposure. And the applied product must dry naturally — forced drying can change the finished colour substantially.